sin título
- 2017
Instituto Valenciano de Arte Moderno-IVAM, Cicle Radicantes y otras especies
- 2018
MAC-occuper, Lyon
- 2020
UIC Arquitectura Barcelona, Foros (amb Ana S., Jordi Mas i Carme Torrent)
- 2021
Instituto Valenciano de Arte Moderno-IVAM (amb Silvia Zayas i Carme Torrent)
- 2022
Museum of modern art Warsaw, Polonia
- 2024
Col.laboration CNN Rennes
a voice in "itself"
We know that the melospiza melodia birds can interpret the meaning of certain recorded songs as "war phrases", because they frequently resolve conflicts by singing the same type pf song among themselves.
Their identity is shown to us from geographical variations in pupulations of the same species with respect to sonorities, band width, number of peaks, frequency, loops, tonalities, knots, arrhythmias, as well as in the interval between the notes of their songs.
The sound, the song, the bodies of the voice, escape the border, the limit, and acquire elements that were previously separate. They are lines of wandering, migratory forces. They put us in relation with the margins, the periphery, and by extension with the excluded, suggesting, in turn, territories hidden in the skin, in the heart of matter.
- 2017
Instituto Valenciano de Arte Moderno-IVAM, Cicle Radicantes y otras especies
- 2018
MAC-occuper, Lyon
- 2020
UIC Arquitectura Barcelona, Foros (amb Ana S., Jordi Mas i Carme Torrent)
- 2021
Instituto Valenciano de Arte Moderno-IVAM (amb Silvia Zayas i Carme Torrent)
- 2022
Museum of modern art Warsaw, Polonia
- 2024
Col.laboration CNN Rennes