100 fuegos horizontales

How do we move in and out of different shades of representation?

The piece is part of the project Move about nothing, a project that I have developed in the last three years, and which has consisted of various experiences, not all of them scenic. The project arises from the question about how we relate to the pluralism of modes of existence. It raises the dynamics of the subjectivization processes, in constant transformation. Generating devices that lead to experiencing the multiplicity of these processes.

To achieve this, a space has been created that consists of meetings and movement practices with people who come from very diverse backgrounds. And with this, access the potential of the bodies and from there, let ourselves be infected, open ourselves to the possibility of affecting and being affected by different intensities. … "no one knows what a body is capable of…"

So 100 horizontal fires is the result of this collective experience.

"Thus, the territory is not something closed, it is rather a vector that moves, so there are continually movements of deterritorialization and reterritorialization in it. Or better yet, the territory is a vector of exit from the territory. The territory is becoming, it allows itself to be invaded or invades, it becomes populated, it deserts itself. Each body seeks to expand its territory through its becomings, through encounters with that which suits it."